From Coast to Coast Creations

a paradise for those who love all things arty

atc star book

Some of you will have already made a star book, to others this may be a completely new venture.  Whichever person you are I am sure that when you start making star books you become hooked.

For the people who don't know what a star book is, it is a card made up of a number of cards (usually 5 or 7). No matter what size you prefer to make the instructions run true to each size.  The first star book I made was with A4 card.  The size book that I will now describe is atc size!!

 

Step 1:

Cut 10 pieces of card measuring 5 inch x 3.5 inch.

Step 2:

Fold all the card in half so that they measure 2.5 inch x 3.5 inch.  Make sure that you give the crease a nice crisp finish.

Take 5 of the cards and cut an aperature into them.  I have used a rectangular shape but you can use any shape you wish, the only stipulation is that the hole is no wider than half the card. i.e. your card width is 5 inch so you can have a hole 2.5 inch but that needs to be exactly in the middle of the card. An easy way to find how wide to cut is to open out your folded card and take first the right hand side and fold it into the centre fold, then repeat with the left hand side.  Your card will now be in equal quarters.  The cards can look lovely putting a heart in the centre or a star, be brave and try out different shapes!!

 

Step 3:

Now take your cards and either cover with papers or as I have stamp them.  You may wish to use colours, paints, whatever you fancy.  I have also found that a peel-off around the aperature can really finish off the card.

Step 4:

Now you need to start putting your card  together. Glue the left quarter of your aperature card and stick to the left side of your full card.  Do the same on the right hand side, so that it looks the same as the picture alongside.  I have also used two strips of double sided tape for sticking the two cards together, yet again the choice is yours, do what works best for you!!.

Put all 5 (7) sets of cards together as described.

 

 

 

Step 5:

Now aking each "card" place them together so that you make your "star".  Stick the back of each card to the front of the next, but make sure that you don't stick all of them together (because you need to be able to fold the card up)

Step 6:

Now comes the fun part!!  Decorate!!!!!!!!!!!!!!!!!  You can decorate it as much or as little as you like.  This is how I've decorated mine.

Step 7:

You finally need to fit ribbons onto the card in order to be able to a) keep it close and b) tie it open.  The following pictures show you how I've done it, but I'm sure that you must have your own ideas about how to do it.

Step 8:

Enjoy Yourself!!!!!

I hope that this guide to making star books has been informative and that you find it easy to understand.

 

atc booklet

Take A 4 piece of paper

Fold in half                      

      Fold in half again   

       open out paper to see 4 equal creased parts 

       Fold up paper at each end

         Fold corners into first crease line at both sides                                                  Fold over at crease lines

           Turn paper over

         Fold bottom ende up to within aprox half inch of top

        Fold top down to to of folded up paper                             Tuck top into small corners       

      Fold in half along crease line

                    

I fitted these pages into the book using brads, but putting 2 sets of folded paper in I can hold 8 atc's in the book.

Cold Laminate Transfer

Stamp an image with StazOn in onto a clear cold laminate sheet.  Next remove the paper backing and lay the stamped image onto your work surface sticky side up.  Trima piece of printed background paper to be transferred just larger than your stamped image.  Place the paper inked side down onto the sticky piece.  Rub with your fingers to release any air bubbles.  Flip the piece over and burnish it with a spoon.  Now trim closely around your image.  Place the stamped piece into a container with enough water to completely cover.  Allow it to sit for just a few minutes in order to soften the paper.  Under running water start rubbing the back of the piece.  You will see that only the ink colour remains because it is stuck to the adhesive of the laminate.  Be careful not to run too hard otherwise you will remove al of the colour. 

Next gently wipe the excess water from the trasfer and then allow to completely dry before using it on your project.

 

Smooshed Inks

  1. Place one sheet of A4 acetate into your work surface.  In the centre of the acetate, place a pool of Glossy Accents, aproximately the size of a 2 pence piece.
  2. Take two or three different colours of inks and drop them randomly across the centre of the acetate, near the pool of Glossy Accents.  Try to create small gaps between the different colours so that they don't blend together.....yet!
  3. Place the second piece of acetate on to of the one with the inks and press them both together.
  4. Use a rubber brayer to spread the inks and Glossy Accents across the surface of the acetate.
  5. Remove the top piece of acetate from the bottom and set aside for a second, whilst you work with the bottom piece of acetate.
  6. Take two sheets of glossy cardstock and place them back to back so that the glossy sides face outwards.
  7. Place these two cards onto the inky acetate then place the other acetate sheet over the top to make a "sandwich".
  8. Run the brayer across the acetate, moving in various directions.  Go over the whole surface to achieve a good even coverage.
  9. Remove the top sheet of acetate and then separate all the cards and acetate from one another. You will now have two sheets of glossy card with a smooshed background and two sheets of smooshed acetate too!
  10. Set all the pieces to one side to air dry naturally.  Once they have dried you will notice that the Glossy Accents have dried into a raised dimensional finish, giving a textural smooshed inked background effect.

Triple Embossing

Technique steps:

  1. Prepare your piece to be embossed. The base cardstock needs to be very thick - mat board or similar, due to the fact that thin card will just buckle and curl.
  2. Make sure that the ink on your design is totally dry, then cover the piece with clear embossing ink.  This will give your piece the wetness for the UTEE to stick.
  3. Cover the wet piece with UTEE.
  4. Heat the powder to melt it using a heat gun.  SLOWLY move the heatgun over the page as the UTEE starts to melt.  If you wave it around madly the poder will be blown everywhere!!
  5. Repeat steps 3 and 4 a total of three times to give the finished effect.  If you are quick you will be able to put the fresh UTEE onto the image and it will stick to the still hot surface.  If this is not the case re-ink with the clear embossing ink. 

 This is an example of a triple embossed card.  See the why it is highly glazed and the way that the glazing makes the colours more vibrant.

Envelope scrapbook

Items needed:

A5 brown envelopes

 

  1. Take the first envelope and place it face down on to a flat surface, with the opening and flap on your right hand side.
  2. Place a second envelope next to it, with the opening and flap facing downwards.
  3. Slot the flap of the second envelope into the first until it fits inside and adgere using the sticky strip of the envelope.
  4. Now fold over the second envelope so that you're ready to add the next one.
  5. Add more envelopes until your book has the desired number of pages.
  6. When you have finished adding pages (envelopes) wrap the flap from the first envelope over to the back of the last one to make a spine and stick it down.

Dymo word ribbons

Cut a piece of cardstock approx 1 cm wide, and thread this strip of paper through the tape hole in the back of your Dymo machine.  You will not be able to close the plastic cover when using your own card in your label maker

 

Punch your title or greetings as you would when using the standard tape.  Punch the letters slowly and firmly to make sure that you create a good, strong impression.

Once you have created your title you can either ink over the impression using a piece of foan etc, or if you have used cardstock with a white core, you can gently sand over the letters to reveal the white.

 

 

Idiots Guide to Making a Journal

 

This is an idiot’s guide to making your own journal.  If you make books professionally please accept my abject apologies if I do not do anything correctly.  This is just how I have found to be the easiest way for me.  You may find that certain stages are better adapted to your own way of doing things.  Sizes are able to be altered to suit the size of book that you wish to make.  In fact everything can be altered so suit your own needs!!

1.  Cut two pieces of thick card the size of your chosen journal (in this example I’m using 5” x 5”).  Then cut one piece the height of your chosen page (in this case 5”) and your chosen width (I am using 1”).  You need to make sure that the spine is wide enough to enable you to be able to punch in the holes for attaching your pages, so you don’t want to weaken it by it being too narrow.

 

 

2.  Glue the pieces laid out as shown, having the spine laid in the centre, with a small gap between each piece on order that the book will fold up.  Mitre the corners and fold over and glue.  I glue all over the large pieces of card and the spine part in order that the paper is well stuck.  I find that it helps to “gently” run an embossing tool or your finger nail along the gap in order to indent the paper so that it will fold nicely. 

 

3.  You now need to cut your inside paper to “line” the inside of the covers.  I cut mine 10 1/2” x 4 ¾” ( you are now covering the spine as well!).  Glue in place and run your embossing tool along the join between the spine and covers.  Gently bend the spine up so that you know the pages will fold open.

 

 

4.  Choose the papers for inside the book, cutting them 10” x 4”.  Fold the pages in half and punch two holes along the fold line on each page.  I have cut 5 sheets which when folded will make 10 pages.

 

 

 

 

  1. Making sure that the holes line up, mark the spine of the outside cover, make two larger holes because you will need to put more pieces of thread through these holes.

 

 

 

 

      

  1. Taking one inner page at a time thread the ribbon/thread through the page, attaching it to the book cover.  Continue threading through the cover into the pages until they are all attached.  Knot the thread holding the pages in and finish how you wish.
  2.  This is a very basic book.  You can decorate the front as much or as little as you wish.  Try using wires to tie the book together, or maybe ribbon, string, raffia or anything else you can think of!!  If you decide to punch the corner of your inside pages I suggest that you do them prior to putting the book together, that way if the punch messes up you don’t have to dismantle the book (as I previously have had to!!)

 

AnotherIdiot's Guide to making your own Journal

 This is an idiot’s guide to making your own journal.  If you make books professionally please accept my abject apologies if I do not do anything correctly.  This is just how I have found to be the easiest way for me.  You may find that certain stages are better adapted to your own way of doing things.  Sizes are able to be altered to suit the size of book that you wish to make.  In fact everything can be altered so suit your own needs!!

 

  1. Cut two pieces of thick card the size of your chosen journal (in this example I’m using 6” x 6”).  Then cut two pieces the height of your chosen page (in this case 6”) and your chosen width (I am using 1”).  You need to make sure that the spine is wide enough to enable you to be able to punch in the holes for attaching your pages, so you don’t want to weaken it by it being too narrow.

 

  1. Making sure that you have one piece with a spine on the left and one on the right for your front and back, glue onto your chosen paper, leaving enough paper around the sides so that you can mitre the corners and fold over and glue.  I glue all over the large piece of card and the spine part in order that the paper is well stuck.  Leave a small gap between the spine and the cover in order that the page will “fold”.  I find that it helps to “gently” run an embossing tool or your finger nail along the gap in order to indent the paper so that it will fold nicely.

 

  1. You now need to cut your inside paper to “line” the inside of the covers.  I cut mine 5 ¾” x 6 ¾” ( you are now covering the spine as well!).  Glue in place and run your embossing tool along the join between the spine and cover.  Gently bend the spine up so that you know the pages will fold open.

                                 

  1. Decide how many holes you want on the book and mark and cut (I used my silent setter).  Make sure that both the back and front line up.  I cut one side, lay it on top the other and mark the holes for cutting through the holes.

 

  1. Choose the papers for inside the book, cut them slightly smaller than the outside covers.  Place onto covers in order to mark the spine holes. Punch out holes. (I put 10 pages in)

 

 

  1. Tie together your pages in whichever way you choose.  It all depends on the number of holes you’ve punched; the choice as they say is yours.  I then opened the book and ran the embossing tool down each page so that it would fold open nicely.
  2. This is a very basic book.  You can decorate the front as much or as little as you wish.  Try using wires to tie the book together, or maybe ribbon, string, raffia or anything else you can think of!!  If you decide to punch the corner of your inside pages I suggest that you do them prior to putting the book together, that way if the punch messes up you don’t have to dismantle the book (as I previously have had to!!)

 

Envelope Book

Supplies:-

  •      4 matching envelopes

  •      2 pieces matte board or heavy cardstock cut 1/8" larger than envelopes on every side

  •      4 sheets decorative paper - 2 pieces cut 1" larger than matte board on every side (these will be your cover papers) & 2 pieces cut 1/8" smaller than matte board on every side (these will be the inside covers).

  •      1 sheet cardstock cut same width as envelopes by 9 cm long (this will be your spine)

  •      Tags – if you want to use them

  •      adhesive

  •      paper cutter or scissors

  •      bone folder

 

Directions:-

    First take your pieces of matte board (or heavy card) and score a line one centimetre in from the side (where your spine will be) on each one – use your bone folder to fold back carefully, making sure you don’t split the board

    If you are going to stamp your cover paper, do that first. You can add layers and/or embellishments later if you wish to.  Apply adhesive all over one side of the matte board and adhere to the cover papers, folding carefully at the pre-scored fold, to avoid creasing later on.  Mitre the corners, make sure there’s enough adhesive on them and fold down.  Always glue opposite sides first – so top and bottom and/or sides first and then the other two.

    Measure & score the cardstock for the spine, every 1cm along the width (7 scores) and accordion fold. Glue one end to the inside of each cover – making sure that you have four valley folds for your envelopes - and allow to dry.  You can work on your envelopes while you are waiting.

    Glue your inside covers to the other sides of the matte boards, covering the edge of the  cardstock you’ve already glued to them.

    Decorate your envelopes on the flap side (or both sides), remembering that the one centimetre on the left hand side of the envie won’t be seen as it will be inside the accordion fold, then glue the back bottom edge to the spine on the FRONT side of each fold.

    Apply glue between the folds of the spine on the OUTSIDE and place a heavy weight on top & allow to dry.   Or you can use pegs or paper clips to hold it together until it dries.

    Add layers, stamped images or embellishments to your cover if you wish.

    Decorate tags to go inside the envelopes – or use A6 pieces of card – or use your imagination as these envelopes could hold all kinds of treasures and/or keepsakes

Resist Techniques

SHOPPING LIST

Glossy card (high gloss)

Water based dye inks - the ones you see here have been made with Adirondack inks

Versamark inkpad

Stazon Jet Black inkpad - optional

Heat tool

Sponges

Stamps

 

INSTRUCTIONS

Ink up your chosen stamp with Versamark ink and stamp (carefully, as it's easy to slip on glossy cardstock!) on the glossy card.  Stamp one single image OR stamp randomly with the same stamp or several stamps - the  more you play, the more ideas you'll come up with.  You can  wait for it to dry naturally, but if you're impatient as I am, you'll need to zap the stamped image with your heat tool.  You can tell when it's ready, as the image becomes a little more opaque.

Take your sponge and ink it up with the water based dye ink - one colour only - then add to the card in a circular motion, until it looks good.  Don't add it all over - be selective.  You can always go back and add more colour later.  Choose another toning or contrasting colour and add more ink - if needed, choose another colour - if not, stay with the two colours only.  Go back in with more colour if you think you need more depth - the more you add, the more the Versamark stamped image will POP through the ink. 

Wipe off any excess ink with a piece of kitchen towel - the resist image will really POP at this stage.

Now take your main focus image and stamp over the background you've created with that - using the same colours you sponged with.  You can overstamp in the Stazon Jet Black - OR you can simply stamp with that and omit the overstamping in the original colours you used - there are many ways of doing this.  The effect is wonderful - all the colours tone and blend, creating a beautiful card front.  All you have to do now is to layer it onto another card or another layer and you have a very quick, very effective card.

WAX RESIST

To get a wax resist effect, you simply need to use a white wax crayon - or a candle sharpened like a pencil!

 

Supplies

As above, with the addition of a white crayon or a sharpened candle. 

But you DO need the Stazon Jet black ink!

Instructions

Stamp your main image with Stazon Jet Black ink.

Look at the image carefully and choose areas you'd like to highlight - ie, which would look good if there was no colour on them.  Colour these carefully with the wax crayon or candle - making sure the areas are solidly covered.

Add ink as before - you can stipple if you prefer - be careful not to rub the wax off when adding the ink.

When finished adding colour, buff off the wax with a piece of kitchen towel.  Voilà - a perfect wax resist image.  If it isn't perfect, don't give up - practise a little more and you'll get there!!  This is a great and easy technique

Peeled Paper Technique

 

This is a great - AND EASY - technique for cards, ATCs, scrapbooks, etc, etc,  taken from Claudine Helmuth's first book.

I use a CHEAP dictionary - buy one from THE WORKS or some other similar place - and tear out the pages - sacrilege, I know, but the books are outdated, linguistically (I was a French teacher in another life!) and would be thrown away if not used in this way!!!  Cut your card to size (ATC size always must be 3.5" x 2.5") and then glue a page of the small dictionary to it, using TOMBOW adhesive or GOLDEN GEL.  Trim the edges to fit the ATC.  You can just adhere the page to half or a third of the ATC if you don't want to do the whole lot.

Take strips of MASKING TAPE and adhere randomly to the paper you've just glued.  Leave for a while, for the adhesive to get a 'grip', then peel off.  The tape will pull off a layer or two of the dictionary page paper, leaving behind a light covering - great stuff! 

Now add inks - sponge, stipple or just add directly from the inkpad - smoosh the inkpad across the page, gently - more pressure where you want more colour.  I've used Distress inks (PEELED PAINT) in this sample.  You'll notice that the paper takes the ink differently where it's been torn, giving texture and shades of colour.  Heat set - or leave to dry if you're more patient than I am - then apply more masking tape - leave a while (it doesn't stick well if the paper is still wet from the ink!) and peel back.  Add more ink if required.  If you want a  REALLY distressed look (or Shabby Chic) then sand a little, with fine grade sandpaper.

Stamp your main image using a strong ink - I used Versafine Onyx Black here - the stamp is from Katy's Corner People 1 - then add embellishments.  I've used lace from the Katy's Corner Lace packs, attached with Golden Gel, then added a couple of Postage stamps (Miscellaneous pack), overstamp with the Katy's Corner Postmark stamp, then attach a button - I've attached it with ribbon, tying into a knot to secure.

Great little ATC which is quick AND easy to do!

Envelope album

  You will need..
Step-by-step...

1              Take the first envelope and place it face-down on to a flat surface, with the opening and flap on your right-hand side.
2              place a second envelope next to it with the opening and flap facing downwards
3              Slot the flap of the second envelope into the first until it fits inside and adhere using the sticky’ strip of the envelope.
4              Now fold over the second envelope so that you’re ready to add the next one.
5              Add more envelopes until your book has the desired number of pages.
6              when you have finished adding pages (envelopes) wrap the flap from the first envelope over to the back of the last one to make a spine and stick it down.


     

Watercolour background with salt technique

Materials:
1. Watercolor paper (nothing fancy )
2. Watercolor paints or pencils
3. Paint brushes (fat ones work the best for keeping the paper wet)
4. Salt (I experimented with coarse sea salt, table salt and Epsom salts)
5. A general table knife or/and a dry cellulose sponge.

The first step is to protect what ever surface you are working on. I have no studio area and so I tend to work hunched over my living room coffee table. Your work surface will get wet and covered with salt. I suggest that you have lots of rags and paper towels handy.

Take out a piece of watercolor paper and using a wide brush wet the entire paper liberally and allow it to soak in a little.


After this mix quite a bit of water into your paint colors and start to put them onto your wet surface. You will find that they spread out and blend into one another fairly rapid. I like to move them around and drip into one another causing a nice sort of tie die effect.


If an unpainted area becomes to dry simply re-wet it with plain water and continue painting. It is best to work fairly fast to avoid this. I put down light colors first and let the dark colors gently blend into them but really there is no right or wrong way to so it so just experiment.


Keep it damp! This is when you add your salt over the entire top. The more salt that you use the more effect you will make. I don’t care for the table salt; the Epsom salts and the sea salt have much more dramatic results.


The salt will draw up some of the paint and cause texture in the piece.


Allow it to dry but don’t forget about it too long. I found that it is much easier to scrap the salt off if it is not ‘baked’ on or left on too long. On the other hand if it is still too damp in some spots you will scrap off some of the wet paint with the salt.

At this point you’re ready to remove the salt, shake off the excess (outside) as much as possible. Use the general table knife and/or dry cellulose sponge to scrape off the salt. Remove as much as you desire to achieve the effect you want.

You can save the colored salt and reuse it on a wet sheet of (watercolor) paper to add spotty watercolor. The salt will release the color onto the wet paper creating another interesting background effect.


FINISHED!
Now just cut the paper to ATC size and let your imagination run. They make a good base for JAM’s, drawings, painting, printing, stamping, collage, altered art and a million other things I haven’t even thought of yet.

 

Melted Organza Art

The basic principle is to bond together, using a soldering iron, organza fabric to a felt background. As the organza melts, the background colour shows through and creates the lines and designs on the card. The designs can be as simple or as complicated as you want them to be! If you aren’t confident in drawing freehand, a stencil can be used (or made) to trace around.

The main materials needed are:
• soldering iron with a fine tip
• Felt
• Organza material in a variety of colours (I find eBay a great source for this)


Other embellishments can also be added to enhance the finished piece such as threads or beads.


Different effects can be created using different coloured backgrounds of felt. Shops usually stock a large colour range and it can be great fun experimenting with combinations of background and top colours.

Top layers can either be all one colour,or a combination of many colours.


An extension of this technique is to use the iron as a ‘knife’ and cut out areas of felt to create an image. This is a very difficult technique to master as the felt can become singed if the iron remains in contact with the felt for too long.

How to do it

•Decide on the background colour and cut out a piece of felt to the required size. It is often a good idea to make it slightly bigger than the size you want so that it can be trimmed and neatened later on.

•Cut up the organza into small irregular shaped pieces.

•Lay the pieces onto the felt in the design that you want. Alternatively, lay one large piece of organza over the felt, for a monotone piece.

•Lay the felt onto a heatproof mat, so as to not damage your work surface.

•With the soldering iron, draw the design into the felt. It helps to lay a heatproof tool on top of the organza material to keep it in the correct position and to help aid the adhesion to the felt beneath. If the initial line is not of the desired thickness, you can go over it again until you are happy. Be careful not to press too hard as this will melt the felt behind and will result in loss of colour of the line.

•The edges can be sealed by running the soldering iron around the outside of the felt. Edges can be further embellished by machine stitching a decorative line, or by stitching on a ribbon.

Homemade Vellum

This is very easy to make, cheap and really does work.

You need:
Printed backing papers from your printer (I used standard 80gm paper) see links below
Baby oil
Kitchen roll (the stuff you use to mop up spills)
Iron

Lay your printed paper on two sheets of kitchen roll (any side up). Scrunch up a piece of kitchen roll and pour on a little baby oil. Rub the baby oil onto your printed sheet in a circular motion going over the whole page. You will start to see it turn translucent. Turn the sheet over and repeat on the other side using a little less oil. Now cover with another 2 sheets of kitchen roll, so that it absorbs any excess oil. Put a weight on top and leave for at least 24hrs. Lastly iron between the sheets of kitchen roll.

This works best with lighter backing papers.

Packing tape transfer

Packing Tape Transfers: This technique will allow you to make transfers or transparencies from any image that's on paper, from magazines to newspapers to pages from a laser printer or copier. Inkjet printers don't work, but photo-copies of things printed from an inkjet printer will.

PLEASE NOTE that if the image has any white areas on it, then the white will not transfer UNLESS the image used white ink (which is rare). Usually the white is the paper (example, the paper you printed on), so wherever there's white, your image will now be see-thru.

Packing tape transfers are very simple to do. You'll need:
~ An image you want to transfer (realize that it should only be as wide as your tape, or you won't get the whole picture)
~ Scissors
~ Packing tape (the clear, wide kind that comes on a roll, used for taping packages)

First, cut out the image. Then cover it completely with a piece of packing tape ~ press down well and rub the tape to make sure that it adheres to the image entirely and there are no air bubbles. Trim the tape to the size of the image.

Stick the taped image into a cup of water for about 10 minutes. The longer you wait, the easier it'll be to get the paper off the back. When time's up, take the taped image out of the water and lay it taped-side down on a firm surface. Rub the back of the image gently (using your finger, a coin, or a clean eraser) to rub the paper off of the tape.

Violà! As the paper comes away, you'll see the image from it has transfered to the tape. Sometimes it's not a very sharp image, which makes this good for a vintage or "weathered" look. Make sure you get all the paper off, and dry the tape. It may be sticky on the side with the image ~ in this case you can adhere it to your ATC, or you can use a glue stick to make sure it stays in place.

Crayola Batik

Supplies you will need:
1. Drawing medium such as a pen or pencil. I start with soft pencil then go over my designs with sharpie permanent pen. Ball point pens smear too much so they are not recommended.

2. Paper medium. Commercial weight or heavier paper is preferable. I use file card stock, construction paper, and general copy stock for most of my work, but I have also used tissue paper and newsprint with a few extra precautions.
3. A Coloring Medium. Mine is a huge tub of Crayola Crayons. Crayola's colors are richer and brighter than any other oil based crayon on the mass consumer market. Many children’s' crayons are wax based and leave too many flakes or too pale a color to be used here. Prisma colors, pastels, oil chalks, and rich colored pencils also work.

4. A pencil brush can be used before dying.

5. Dying medium. Depending on the amount of time you want to put into the design you can use anything from paints to markers. My preferences are Prang water colors (absolutely the best mass consumer water colors in my opinion), and Crayola Washable Markers. Paints take longer to dry but create a richer effect.

6. Cotton Puffs. for polishing the finished work.

Some optional supplies include: a drying lamp, wax paper, warmer plate, steam bath.


The Process

1. Draw your design. Any style design will do. Just keep in mind what coloring medium you are working with. If you use crayons it will be harder to fill in the smaller details. Colored pencils are great for small details but tend to streak or show a grain if used in a larger area.

2. Color your design. Use varying amounts of pressure for different effects. The colors you use will be your resist. I have done many things. Pressing hard creates a greater resist for the dye. While barely applying color may create a misty effect. Experiment to get what you like. I have even seen people apply a different design over the drawn design to get a ghost image.


Optional Step: Crinkle the image. This gives the final product a cracked or stressed look that is simply beautiful. You can also scratch texture into your design with a coin or etching tools. Just don't remove all the color from your design or there will be nothing left to create a resist in the staining process.

3. Brush away any unwanted flakes, residue or dirt. These things will stop up washable markers and may leave undesirable resists on your finished design. I just use a cotton puff very gently. (Barely any pressure)

Optional Steps.
Put your image in a steamer container and reapply color for a blotchy and thicker effect.

Use a warmer plate to melt the colors into the paper. This creates an impervious stain that may or may not resist different dyes. I don't do this step.

4. Apply the dye. The thicker your dye the longer it takes to dry. You can mix dye colors and strokes for different effects here. I tend to go haphazardly at it because I like that spontaneity and freedom.

OPTIONAL STEP: Apply the dye with a cotton puff, wax paper, tissue paper or different kids of brushes for different effects.

5. Dry. Allow an image to dry thoroughly. I use Crayola washable markers when I want a faster finish because it only takes a minute or two to dye the image. You can go on if the product isn't dry, but it will change the results. Once again try different things here.

6. Polishing is removing the dye. Using a cotton puff, wipe away the excess dye. The more pressure you apply during this process, the more you remove. I vary pressure for the colors I've used and the effect I want. Again...try different things.

7. You may repeat steps 1-6 several times depending on your paper base, dying medium, and coloring medium. In textiles the process is usually repeated. I rarely do this process more than once on paper because I like things finished fast, instead of large time consuming projects.


Once you are satisfied with your design, mount it and share. Before putting it in the scanner I strongly suggest you seal it though! Crayon tends to stick to glass and scanners can get warm. If your crayon sticks to the glass it will come off, but be careful. First sealing your image helps. Various seals I’ve used include Trading Card Sleeves, Overhead transparency film, sheet protectors, and storage/packaging tape (transparent of course!). Whatever you do be proud of your product. It is sure to be beautiful!

instructions for making hinges for diptychs, triptychs

Here are instructions for making hinges for diptychs, triptychs or any other little monster ATC hybrids you may wish to grow.

Let's assume that you have a triptych in mind. You want to attach them to each other, right?

Each hinge has 3 layers--inside, hidden middle reinforcement for strength, outside. I use fine cotton batiste (available at Wal Mart!) or lightweight handmade mending tissue for the middle part, as it needs to be very flexible but strong. You can also use Tyvek. I don't recommend anything heavier, as you don't want to lose flexibility.

I will speak of the left card, the center card, and the right card. This is as you look at the triptych with the inside facing you, okay?

So, glue whatever paper you want for the inside hinge cut the exact height of the side of the card to the back of the center card, 1 piece on either side (since you're hingeing this card to both the left and right cards). Your center card now looks like it has little extensions on either side. Let everything dry thoroughly!

Glue a strip of middle reinforcing fabric or paper cut the exact height of the side of the card to the back of the hinge (so it doesn't show as you look at your center card--got it?) Again, let it dry!

Now, lay the right card on top of the center card with the presenting faces together. Wrap the little extension on the center card over the adjacent side of the right card and mark how far onto the back of the right card the extension goes--don't squash the two cards together if you've got layers on them like I have on mine!

Glue the little extension on the center card to the back of the right card to the point you marked. Voila'! One hinge made!

Now, once the first hinge is dry, fold the right card over the center card, then lay the left card on top of the right card, face down. Wrap the extension from the center card over the adjacent side of the left card, mark and glue as you did for the first hinge. Et voila' again! Second hinge made!

To add the third layer of the hinges, cut a piece of paper or whatever it is that you're using for the outside of the triptych to fit the hinge plus a little extra on either side. Glue this piece down, first on one hinge, then on the other. Now you can make the outside covering for the 3 panels of your triptych and glue the pieces down.

Nail Polish Paper

It is really easy to do and gives wonderful results.
All you need is an old foil container some old nail polish and water.

Simply half fill the foil container with cold water.
Drop in some nail polish a drop at a time you can do this with different colours.
Some of the nail polish will sink and some will float. Please do not use anything you want to keep as it will be ruined thats why you need an old foil container.
Allow it to spread over the water
Now drop in your card or paper.
If using card allow it to soak a while paper takes less time.
Take it out and see the results.If you find some of the nail polish is too thick in one area simply spread it out with your fingers it gives some texture when you do this. You will need some nail polish remover to get it off your fingers afterwards.
Allow it to dry completely and you will have a background that is really different. Card takes a whiole to dry out but it is worth the wait, paper tends to curl but it can be straightened when glued to some card stock, thicker paper is better than thin for this .

I use acrylic paint that is watered down and use a sponge to add extra colour to any areas that have not taken as well as I would have liked when the card is completely dry. This makes the card interesting and you can add another colour to the card if you like as well.

Glitter nail polish works as well and gives a sparkle to your card. I have found that old nail polish sinks more and have found that cheap nail polish works well, you can get some cheap nail polish from market stalls or reduced in shops and stores. They often reduce nail polish that is not selling well and you get some great colours that way.
The picture at the top is a card I made using this method for the background.


The site I found this on was
http://www.creativedistortion.com/trade.html

How to create a pocket book

 

 

Now, how to make them!

You need a heavy cardboard (the article suggested Mount Board) - cut from this 2 pieces 10 x 15 cm each
2 pieces of card - 9.5 x 14.5 cm
1 sheet of paper for the cover - 23 x 18 cm
another strip of paper the same as the one used for the cover - 6.5 x 15 cm
1 sheet of paper for the inside of the front cover - 11 x 16 cm
4 pieces of plain or decorative strong paper for the pockets - 13 x 17 cm (as these are double folded I found it better to use a piece of paper 13 x 10 cm and just tape a border over for the top of the pocket)
2 length of ribbon or twill tape aprox 20.5 cm each
Lay out the largest piece of paper 23 x 18 cm and stick the 2 pieces of mount board on to it. Make sure that you leace a gap in the centre of at least 10 mm, so that the book will shut properly. Any less and it will tear as you try to close it.

Cut diagonals across each corner of the paper to mitre them, apply glue to either the card or the overhanging paper and fold each edge in, sticking it securely. Stick the 7.5 x 17 cm strip down the middle over the gap, making sure that all the edges are well stuck down. Make sure that you let this all dry properly before continuing to the next stage.

Turn the book over so that you can see the cover, this is when you can stamp your images, decorate it etc. When it is decorated to your satisfaction set nto one side to allow to dry.

Now for the pockets: Take the four pieces of paperr that measure 13 x 17 cm and fold them all in half across the width to make them all measure 13 x 8.5 cm.

Take one of them and slip the 9.7 x 14.5 cm piece of card into it so that it covers the top part. Glue this down and wrap the edges around the back and glue them into place. Glue the other 3 pieces together so that they are all double thickness.

Take a second folded and glued piece and apply some glue along the raw edge and the sides. Place it on the card, overlapping the first piece but further down (about 20 mm) to make a pocket, with the folded edge at the top. Wrap the side edges around to the back and stick down securely. Repeat the process with the other 2 folded pieces, so that you have 3 pockets. Leave to dry (it helps to put a heavy weight, such as a book, on top.)

Take the finished pocket card and glue it in place inside the back on the right hand side. Again you might find it useful to weight it down whilst drying.

Cover the other piece of card with the piece of paper that measures 10 x 15 cm. Glue it down, and mitre the corners and fold over as previously described.

Take your first piece of ribbon or tape and stick one end on to the back of this piece of covered card, near a corner. Fold the ribbon round the card and stick it on the diagonally opposite corner, keeping the ribbon as tight as you can.

Repeat with the second piece on the other corners. When this is dry, stick the whole thing inside the book on the opposite side to the pockets. Leave to dry.


And that's all there is to it folks!! Go on and have a go.

I found that it was a good idea to either run a ribbon behind the two inner cards and the strip in the middle fold, in order to be able to keep the book tied shut, but I am sure that you will be able to find various methods of keeping the book closed (if you want to!!)

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